My subject matter, materials and processes are all closely linked to light, time, and the environment. My work is often created outdoors where the variable strength of sunlight, along with the effects of weather and interactions with other non-human elements, mean that outcomes are rarely predictable and never repeatable.
I’m interested in photography in its most basic and immediate form - a record of the action of sunlight upon a surface over a specific duration of time - and how the long exposures of lensless photography (photograms, pinhole images) can capture the essence of an event which would otherwise remain intangible.
Weaving is a process by which timelines are constructed. The materials I use in my textile works are shaped by their photographic exposure to sunlight: they are time- and site-specific records of significant (or insignificant) moments. When woven together a narrative develops - superficially linear and geometric but often with subtle elements of disorder and glitch.